The Brass Coast look and feel

Flavour

The Siroc are travellers, traders, lovers and poets. They are exotic and flamboyant; when they laugh their humour is infectious and without spite, when they love they do so with a passion that is without guile and when they’re angry, their wrath is like a summer storm – terrible to behold but swift in passing. To be Siran is to be driven by a hunger for life, to see the world, to taste every delicacy, sample every wine and tell every tale. Success is measured in wealth, family and influence, not out of greed, but for the joy success brings.

Their wagons and ships cross the world bringing exotic spices, exquisite fabrics and cut gems that command the finest prices. While others see them as brazen and mercurial, their honesty is without arrogance, for to aggrandise the self is vulgar, while to praise the deeds of another is an art. Their tales are bawdy enough for a common tavern and grand enough for a lordly court alike and can fill a room with laughter, tears or gasps of horror.

The Siroc prize individual freedom and responsibility, although they are capable of serving a cause, they have little respect for authority. Pompous or self-important individuals, especially those who think that titles and positions have made them important are ridiculed in Siroc. Respect is earned; it cannot be bought or appointed.

They are infamous for their corsairs who operate throughout the bay of Catazar. These daring privateers risk everything ensuring that the Empire’s enemies are unable to threaten her shores and earning a fortune in gold in the process. It is a dangerous life but one that perfectly suits the Siran passion for high adventure.

They are the Siroc and they believe that while life maybe short, it should never be dull!

Overview

The Siroc look is one of bright colours, silks, jewels and sumptuousness. They admire ornate or bejewelled items. To the Siroc, a brilliant craftsman is one who can make something elegant as well as sturdy. Their weapons and armour are often engraved or adorned, but they are not fatuous, and do not compromise utility for the sake of appearance. Jewellery is very common with the best pieces, like necklaces, crowns or tiaras, designed to frame the wearers hands or face.

The image of the flame is central to the Siran culture, they believe it represents their spirit; wild, powerful and unchained.

Breakdown

• Influences: Moorish Spain, Morocco, Algeria, Tunisia, Persia
• Materials: Light brocades, silks, other rich fabrics. Leather is considered unappealing for clothing, it’s a heavy material they reserve for boots

and armour. Gold is prized over silver where available.

• Colours: Bright, vibrant colours, especially the colours of flames: strong bright yellows, brilliant oranges and every conceivable shade of red as well as gold and silver. Expensive clothing is made in brightly coloured layers to convey the impression of the fire within. Avoid Black or White. Black is considered severe and used for shrouds to hide the faces of the dead. White is the colour of the poor, of those too impoverished to afford exotic dyes.
• Clothing: Veils, scarves, head-wraps, pantaloons, loose shirts and kaftans, sashes rather than belts. Clothing is usually worn loose with layers of draped material. Veils are worn by men and women to make them appear more mysterious and alluring. The ideal style is the tagelmust (preferably in bright red, orange or yellow rather than blue). Clothing and headdresses will often be decorated shiny metal jewellery and jingly bits, bells, coins etc. Jewelry should frame the hands and faces. Ideally scabbards or pouches hang at the waist by a silk cord that goes over the shoulder. Any tattoos should be highly intricate, henna-style.
• Armour: Scale is the ideal armour, ideally in a bright golden colour. Chain in the “jannissary” style, particularly the chain helmets is also great. Small pieces of plate or a breastplate is also good especially if ornate and inlaid. Leather armour is common, either magnificently tooled or used

to hold pieces of metal armour together or in place. Armour, whether metal or leather, should have embellished edges and rich decoration, with calligraphy and ornate designs

• Shields: Round (ideally domed) metal shields, highly decorated if possible.
• Weapons: Scimitars are fine but no more common than straight swords. The Bhuj, a large heavy single-bladed spear is the ideal pole-arm. All weapons should be intricately etched and engraved.

Feel

Free, flowing, headstrong, sumptuous, practical, exuberant, hedonistic, colourful, rich, joyful

Things to Avoid

• Shemagh, keffiyeh (patterned ‘tea towel’ worn on head) and agal.
• Fez and bandanna.
• All “high” turbans such as the classic Islamic or Sikh turban.
• Everything defined as “sartorial hijab” by wikipedia - burqa, niqab, etc.

Icons and important Images

• Flames - stylised flames are often found on banners and flags and Siran art often includes a fire or flame in the image.
• Gold, Wood.
• Art, particularly artful calligraphy and ornate seals, is highly valued in Siroc. Letters and words should be written with bold ink strokes on beautiful paper or parchment, then decorated and illuminated.

Detail

Siroc costume

The Siroc believe that fire is an essential part of the human soul. Their clothing reflects their souls, a mix of bright yellow, orange and reds, hung in layers.

Jewellery and VeIls

Jewellery should frame the face or hands to draw attention to them. Veils are fashionable for men and women who wish to appear mysterious and alluring.

Armour

Golden scale is the ideal armour, worn like mail or else secured with leather. Mail worn in the “jannissery” style and armour reinforced with ornate metal or leather plates are both good.

Weapons and Shields

Scimitars are not common, most Siroc prefer an axe or straight sword. All weapons should be inlaid and decorated with complex designs. The Indian “bhuj” is the favoured pole-arm.

The perfect Siran shield is a domed, round shield that is intricately decorated in gold.

CorsaIrs

Corsairs epitomize Siran daring and adventure. Javenlins and bows are common but the Catazarri crossbow is also used. Many are lightly armoured, but the most bold show off their success with ornately gilded plate.

ChIldren

Children are an opportunity for parents to show off their wealth, dressing their offspring in traditional Siran styles.

Sutannir

Sutannir often paint their faces and skin with designs inspired by flames and themes of fire.

Things to avoId - do not use these

In defining the Siran look we have actively chosen to exclude some elements.

Shemagh and agal

The shemagh and agal is a traditional arab headdress. It is explicitly excluded from the Siran look, please do not use it.

Turbans

Turbans, head dressing where the material is piled up and bound on the head are not part of the Siran look. Also avoid the fez and bandannas. Look on Google Images for the “tagelmust” (ideally in yellow, orange or red) to get the right look for a head covering.

Sartorial Hijab

Siran costume is designed to show off the wearer, male or female, and make them look wealthy and exciting. It is not particularly revealing but it is not intended to cover the body so that it cannot be seen. Therefore almost all sartorial hijab is wrong. Avoid abaya, burqa, chador, niqab, and similar looks, as shown opposite.