Dawn costumes

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Note: The tone and style of this page may need editing. All costume advice pages should be written in third person voice, using verbs that make clear that this page is advice, not direction.

Overview

"Dawn is the land of valour; the classical images of gleaming plate, of brightly coloured banners and traditional heraldic devices provide the imagery for the nation. Where the Marches is gritty and down to earth, Dawn is the opposite in glowing primary colours. There is a sumptuous nature to the materials and tones used, idealistic in design instead of practical. Arthurian, pre-raphaelite and the neo-medievalism movements all provide strong themes and forms to the nation."

Clothing in Dawn draws inspiration from the clothing of 12th-15th Century England and France, Pre-Raphaelite artists such as Edmund Blair Leighton, Dante Gabriel Rosetti and John William Waterhouse, and fantasies such as Lord of the Rings, Merlin and Game of Thrones. On the battlefield, the Dawnish are a pageant of glittering armour, blazing heraldry and exquisite banners; at peace, they wear elegant and well cut tunics, houpellandes and surcotes. Women may also choose to wear gowns, usually with a long, smooth silhouette, full skirts and either tight sleeves to the wrist, or flowing trumpet or bell sleeves that fall in folds from the elbow.

Fabrics

A guide to fabrics for kitmaking

Dawn is a country where you can really go wild with your fabrics and indulge yourself. For high status characters, rich wools, intensely coloured silks, fine linens and velvets are all a wonderful choice. Don't automatically assume that they're more expensive - like every fabric, there's a range, and if you shop carefully you can pick up some superb bargains. Ebay is always good. Try to stick to natural fabrics or natural/synthetic blends - pure synthetics are uncomfortable and wear badly, with very few exceptions.

Historically people tended to wear body linens - a soft white linen shift or shirt against their skin. This is a good idea not only because it's comfortable, but also because it protects your outer garments from sweat and stains. If you'd prefer not to use linen for reasons of expense or weight, a soft cotton muslin works beautifully for this. For outer garments, try fine wools, brocades, velvets and silks; for cloaks, cotton velvet and wool melton are ideal.

Similar nations

The Marches

Parts of the Marches were once Dawnish, so it should come as no surprise that there are significant similarities in the costume. Both draw their inspiration from medieval north-western europe, so the bulk of the difference is in the materials used. The Marches tend towards a palette of natural colours in wools and linens, less lavish designs and simpler construction. The Dawnish, by contrast, favour bright, heraldic colours, contrasting trims and fabrics and more flowing garments using more material. Accessories play a big part in making an outfit look Dawnish - a colourful long belt, a jewelled dagger sheath, an ornate leather purse or a crown can all make relatively simple and understated costume look regal.

Wintermark

Wintermark shares some basic similiarities in terms of garments and cut with Dawn, but it should be even less bright and less lavish than that Marches. Some very high status Steinr might wear something to the Senate that a Dawnish yeoman would wear in the fields - if you have a beautiful, simple tunic in drab colours, try accessorising it with a good belt, fine jewellery or a hood or mantle in a contrasting colour and suddenly it will look a lot more Dawnish.

The League

Though men's costumes should be fairly distinct, women's gowns, especially the Burgundian, can be similar in Dawn and the League. To keep the looks distinct, keep the lines of Dawnish costume clean and elegant, omitting any pinking or slashing, avoiding sleeve puffs and the very Italianate-looking Borgia-style gowns. As always a hat or headdress will help in keeping the look Dawnish.

Research

Re-enactment costume from the 12th-15th centuries is ideal, but imaginative use of historical costume with a fantasy flair is even better. Whatever look you go for, from the wide choices presented, make sure it's bright, glorious and fun to wear.

Movie Costume Research http://www.costumersguide.com/ancient.shtml http://www.alleycatscratch.com/lotr

Historical Costume Research There's an enormous wealth of information on the web aimed at re-enactors, larpers and SCA enthusiasts. Google searches on Medieval re-enactment, War of the roses and 13th, 14th or 15th Century re-enactment will all provide helpful inspiration.

Reenactment groups

Some links to reenactment groups' costuming guides - a helpful source of inspiration and information.

In detail

Men

For male costume, there are a wealth of historical and fantasy looks for form the basics of your costume. The look should be dynamic, dramatic and exude power. As always, try to steer away from flimsy fabrics, drab colours and any look which obviously belongs in another nation - Dawnish clothes should demonstrate the wearer's exquisite taste, rank and nobility.

Bliaut and Surcote

A man's bliaut is a 12th century tunic, worn often with a sleeveless overtunic in heraldic or house colours. It's an easy look to achieve, either from off-the-peg reenactment kit or through making your own, and with a hood and cloak can look really splendid.

When worn over armour, a surcote is a great alternative to a tabard - unlike a flimsy cotton tabard a fitted surcote won't ride up, twist round your neck or tangle in your leg armour, and can look a lot more flash and substantial for relatively little extra work.

Robes, gowns and cotehardies

File:DawnSeeker.jpg

On men, a gown is a reasonably close fitting robe, usually buttoning down the front, with long close fitting sleeves to the wrist. It persists to this day as the cassock and in the clothes of choirsters and some very traditional public school uniforms, all of which means both patterns and off-the-peg versions are fairly readily available.

It's a very adaptable look - a fantasy treatment could take the basic silhouette and standing collar, and shorten the overall length, either with full length or half length sleeves, as worn by Boromir, Uther Pendragon and Jaime Lannister for a "warrior's coat". It looks good worn open over chainmail. A close-fitting variant of this is the cotehardie which usually has lots of closely spaced buttons down the front and the sleeves - try googling "cotehardie". It can be a tough look to pull off, but well worth it!

Patterns:

Butterick 6844
Simplicity 2235
Simplicity 4697 (unfortunately out of print but you might get it on ebay)
Simplicity 2089(this one would need a little adapting - closed sleeves rather than open, but would do a nice over-robe like Boromir's if you make a sleevless version)
McCall 4745 This is actually a civil war uniform, but if you make up the blue version with an asymmetric closure it's very close to Jamie Lannister's coat above. Warning - the pattern runs a little large, so unless you're planning on wearing it over mail consider going down a size.
Reconstructing history man's cotehardie

The Houpellande

This is a loose robe-like garment which can be knee or ankle length, with a variety of sleeves and necklines, which can be worn belted or loose. It's different from the style above as the waist isn't fitted - a great choice to show off lots and lots of thick and heavy fabric. It has the major advantage that you can just throw it over anything at all underneath and not worry about your under-kit being revealed. However, it really needs to be in fairly heavy cloth to look right, ideally wool, and can get a bit stuffy in hot weather. Team it with a chaperon hat for a really resplendent look!

Women

There is absolutely nothing to stop women wearing any of the styles above - the Empire doesn't require long skirts to be worn for modesty any more than it requires your hair to be covered. However, there's fun to be had in resplendent gowns - and you can be as historically inspired as you like without needing to choose an "authentic" but unflattering style.

Fantasy and "historically inspired" gowns

The blue dress is made of two contrasting fabrics - a gold brocade and a blue fabric which you could replicate with a richly coloured fine wool, silk or linen. Use Simplicity Pattern 4940 (http://www.simplicity.com/p-2201-costumes.aspx) view C (without the corselet/vest), and cut your centre front piece and lower sleeves out of the brocade to contrast with the blue. The pattern will give you a slightly thicker band of brocade at the neck, which you could easily trim down, and will sit on your shoulders rather than off (which is much more practical for active wearing). I'd suggest replacing the zip down the back with lacing - it's just as easy and lacing never jams or breaks in a field.

For the cream dress and the blue cloak, you could use Butterick 4377, and sew it in a soft silk velvet or a good synthetic stretch velvet. If you use a decent heavy stretch velvet, you could omit the lacing down the back and just wear it as a pullover dress. For a different look you could use silk, lightweight wool or linen - just choose a lush, rich colour. For the neckline, you could cut a piece of brocade to match the curve of your neckline and carefully sew it on by hand, or you could get some fancy trim or ribbon. For the belt, try looking for a charity shop chain link belt, or make one out of a strip of silk and an old buckle, or use some fancy trim. eBay is a great source of trim - for some really splendid beaded trim at very reasonable prices I use this eBay shop. About 2m would do a great jewelled belt; they also sell shaped pieces designed to go on the necklines of dresses. For the cloak trim, the same ebay shop is good, or you could try searching for damask trim or brocade trim.

Lord of the Rings is a great source of inspiration for women's dresses. Simplicity 4940 is a good place to start, as is McCall's 4491. alleycatscratch.com breaks down every costume in the movie, and is a fantastic resource for choosing the right pattern, fabrics, trim and accessories - even if you don't want to exactly duplicate a LotR costume, it's full of useful information. A word of warning - while many of Arwen's gowns are ideal for Dawn, avoid the more oriental looking ones as they are probably better suited to Urizen. Eowyn's White Gown, Coronation Gown, Green Gown and Victory Gown are all ideal, but many of the others belong in Wintermark or the Marches.

Historical gowns

Houpellandes and Burgundian gowns

File:Houpellande2.jpg

File:Houpellande3.jpg

Houpellandes are great on women, too. It's not the easiest look in the book, but it's very striking. The one in the leftmost picture is velvet lined in fur, which gives it tremendous bulk and body - an alternative would be to line most of it in thick blanket wool, saving your fur or fake fur for the edges.

The Burgundian gown is a later development of the Houpellande, usually closer-fitting with a deep v neck and and a broad belt just under the bust. Stick to the heavy draped versions; later Italianate ones in lighter silk with close fitting sleeves are more suitable for the League.

Cotehardie and Sideless Surcote

File:Velvet and silk cotehardie by daisyviktoria-d3jfxzo.jpg

File:Sideless2.jpg

The cotehardie is a close fitting supportive gown, also known as the gothic fitted dress, usually buttoning down the front and the sleeves, and worn with a leather or metal belt around the hips. It's simple in construction, though needs a little fitting. One lovely historical example is the Moy Gown, which has a unique construction pattern for the sleeves, and makes a lovely intermediate to advanced project. You can easily fake the look of a cotehardie with a modern princess seamed dress.

For formal occasions, a great way to dress up a cotehardie is by putting a sideless surcote over the top, ideally in house colours and bearing your heraldry. Make a full length version of the pattern above, either adding lacing down the sides or cutting a little more away to reveal the gown underneath. Usually the belt goes over the cotehardie, under the surcote.

Hats and outerwear

Hats, crowns and headdresses

Although not a required part of costume, a headdress, crown or hat can be the finishing touch that pushes a costume from good to fantastic. Men have a few options - a crown, either metal or a good substitute, can look fabulously regal on a noble or earl. A less formal look which still adds stature and majesty is the Chaperon, which was initially a hood worn sideways on the head and gradually developed into a more structured hat. Hoods are also good, particularly for yeoman characters, with particolouring, dagging and buttons helping to keep the look from sliding towards the Marches.

For women, looks are virtually limitless. Historical inspiration can be drawn from royalty of the 11th century (crown and veil), through the ever changing noble fashion of Templars, padded roll and veil, through to the elaborate steeple hennins of 15th century France, and the English butterfly headdresses of the same time. Even a simple padded roll, ren-fest style, can look good with a lower status costume.

Unsuitable hats - French hoods are a 16th century look and fall outwith Empire's inspiration period, as do cocked hats, tricornes and very structured gable hoods (early Elizabeth Woodville styled hoods are acceptable). Remember, headwear is for display and not for modesty, so consider rich, bright colours, and leave the white linen coifs to the Marches.

Cloaks

TV Series: Merlin

A cloak is a near-essential part of your costume, and a great opportunity to give your kit a finishing touch and keep you cosy. For light fabrics, you can make a gathered-neck cloak with a drawstring for ease of construction- with heavy wools and velvet, a semicircular or circular mantle works best to reduce bulk at the neck and drapes beautifully. Try edging or lining your cloak in good fake fur for a really regal look, or adding a pelt around the shoulders (charity shops often won't sell fur coats up front, but store them in their back room and will allow you to make a donation in exchange for taking them away. If they don't have any, leave your details and get them to call you if any are handed in.)

http://garbindex.com/cloak/patterns.html http://www.reddawn.net/costume/patterns.htm

Hoods

an inspiring hood

Another very variable garment with dozens of options for length, colour and decoration meaning a hood can be a simple or fancy as you like.

Armour

Plate armour is the ideal look for Dawn, but can be expensive. Re-enactment suppliers and ebay are a good place to look.

Plate armour: http://www.whiteroseapparel.com/ http://www.getdressedforbattle.co.uk/

Chain mail supplies and finished items: http://www.theringlord.com http://www.armchair-armoury.co.uk/chainmail.htm

Lightweight polyurethane replicas: http://www.nortonarmouries.com/

Medieval plate style Leather armour: Totally Leathered provides custom tooled leatherwork & bespoke armour. Idiom Productions Costume and Props Workshop creates custom hand-tooled leather armour, clothing and LRP weapons

Make your own: Here's a tutorial on how to make moulded leather armour And here's one on how to make plate out of wonderflex

Weapons

The classic Dawnish weapons of long sword and heater shield are fortunately widely available from LRP weapons makers. For swords, a classic cruciform shape is ideal, and detailing on the hilt can look as superb as the clean lines of unadorned quillions. If you're not fortunate enough to be commissioning a custom shield painted with your heraldry, consider making a cloth cover for your shield and appliquéing or painting your heraldic device onto it.

http://www.skianmhor.co.uk http://www.saxonviolence.com/index.php http://www.tallowsfx.com/

Heraldry

Heraldry is a huge part of Dawnish identity, and any member of a noble house or weaver cabal should define their group and personal heraldry, and consider working it into their costume. Even if a house isn't dressed identically, there's no doubt that using their heraldic colours in part of each member's kit makes a strong unified statement on and off the battlefield, and looks damn amazing too.

Here's a project showing you how to work a heraldic device into your costume: See also how to make a surcote.

Bibliography

The Medieval Tailor’s Assistant, Sarah Thursfield – Pretty much the bible for medieval costumes. Covers the layers from underwear to outerwear for the periods 1200-1500, plus headwear and accessories. Goes into detail about how to make the garments, which fabrics to use etc. A really excellent book.
Medieval military costume, Gary Embleton – Very useful book using colour photographs of live models. Goes into detail about everything from 13th Century foot soldiers to 15th Century knights, with sections on underwear, armour, women’s dress and Landsknechts.
Make Your Own Medieval Clothing for men, and for women, by W. Zerkowski and R. Fuhrmann, plus Headwear and Shoes available on the German website. Great books, giving designs for lots of different garments, though few instructions on how to make them. This would be more suitable for an experienced costume maker.
Patterns for Theatrical Costumes by Katherine Strand Holkeboer Gives scalable patterns.
Medieval Costume in England and France - no patterns, but great for ideas on silhouette and style. Mostly black and white.
The Evolution of Fashion Sadly out of print. A great introduction to how dress changes through the middle ages and up to the present day.

Nation specific garment

Possibly – if we can think of something suitable for each nation!