Navarr music
(→Songs) |
(→Songs) |
||
| Line 20: | Line 20: | ||
* [[I Come and Stand at Every Door]] | * [[I Come and Stand at Every Door]] | ||
* [[All the Pretty Ponies]] | * [[All the Pretty Ponies]] | ||
* Ten Thousand Miles | |||
====Instrumentation==== | ====Instrumentation==== | ||
Revision as of 16:11, 16 July 2012
Style summary
Music generally for celebration not war, songs sung while performing work, songs about travelling, fate, forests, and blood. Navarr bards are very into their heritage; lost cities and sacrifice but music concentrates on remembrance rather than lamentation. Sources are primarily Scottish, Irish, Canadian, Galician and gypsy folk tunes, fast fiddle and pipes alongside soft unison singing.
Commonly known songs
Pick a few examples from the list below to specifically promote as well-known within that nation. Provide lyrics and score/chords. Preferably in a range of difficulties.
A musical tradition
Suggest how the music fits into the cultural behaviour in general (e.g. battle hakas, wassails).
One for the kids
Further examples
More examples for keen bards.
Songs
- I Come and Stand at Every Door
- All the Pretty Ponies
- Ten Thousand Miles
Instrumentation
Strings, whistles and bagpipes, drums and voices.
Other performance traditions
- Stopping By Woods on a Snowy Evening by Robert Frost.
How to adapt your repertoire
No tradition would be 'wrong' in the Navarr as they travel throughout the Empire. However, to keep a distinctive sound for Navarr music, try to encourage unison singing.
Our sources
Credits, links to artists, further material etc.