Navarr music - Revision history

Twiggy at 17:52, 6 August 2025

2025-08-06T17:52:38Z

← Older revision		Revision as of 17:52, 6 August 2025
Line 39:		Line 39:
	* [[I Come and Stand at Every Door]] - sad song about the fall of Navarr cities, easy.		* [[I Come and Stand at Every Door]] - sad song about the fall of Navarr cities, easy.
	* [[On the Wall]] - Song about the final fight for [[Brocéliande]], medium.		* [[On the Wall]] - Song about the final fight for [[Brocéliande]], medium.
	* [[The Ruins of Terunael]] - A song about the [[~~Vallorn~~]], easy.		* [[The Ruins of Terunael]] - A song about the [[vallorn]], easy.
	* [[A Sudden Farewell]] - A duet about the last moments together of Navarr and Thorn, medium.		* [[A Sudden Farewell]] - A duet about the last moments together of Navarr and Thorn, medium.
	* [[Terunael (song)\|Terunael]] - A remembrance song.		* [[Terunael (song)\|Terunael]] - A remembrance song.
Line 64:		Line 64:
	====Cautionary, Teaching & Work Songs====		====Cautionary, Teaching & Work Songs====
	* [[Caution for the Dawnish Youth]] - Cautionary song popular for expressing the Navarr World view, easy		* [[Caution for the Dawnish Youth]] - Cautionary song popular for expressing the Navarr World view, easy
	* [[If it had a Heart]] - A dark song about the monstrous nature of the ~~Vallorn~~, medium.		* [[If it had a Heart]] - A dark song about the monstrous nature of the vallorn, medium.
	* [[Outside in the Distance]] - A Sentry's song, medium.		* [[Outside in the Distance]] - A Sentry's song, medium.
	* [[The Oak (song)\|The Oak]] - Song about sensible use of trees, easy.		* [[The Oak (song)\|The Oak]] - Song about sensible use of trees, easy.

Rafferty at 16:41, 19 February 2020

2020-02-19T16:41:37Z

← Older revision		Revision as of 16:41, 19 February 2020
Line 93:		Line 93:

	Here is a [https://www.youtube.com/watch?v=Piv-ZLla4wA&list=PLeLz0tHkG2gUoFlCG50u9jsBe25X8_ugc&feature=plpp_play_all youtube playlist] of appropriate or inspiring music and here is one for [https://www.youtube.com/watch?v=DQXK3Z7ZeaY&list=PLeLz0tHkG2gVL-drZ42YW2TXqRjKY5RJF&feature=plpp_play_all dances].		Here is a [https://www.youtube.com/watch?v=Piv-ZLla4wA&list=PLeLz0tHkG2gUoFlCG50u9jsBe25X8_ugc&feature=plpp_play_all youtube playlist] of appropriate or inspiring music and here is one for [https://www.youtube.com/watch?v=DQXK3Z7ZeaY&list=PLeLz0tHkG2gVL-drZ42YW2TXqRjKY5RJF&feature=plpp_play_all dances].


	[[Category:Navarr Music]]		[[Category:Navarr Music]]
	[[Category:Music]]		[[Category:Music]]
	~~[[Category:~~Navarr]]		{{Navarr Links}}

Triggerbug: /* Songs about the fall of Terunael */

2019-09-07T10:10:26Z

Songs about the fall of Terunael

← Older revision		Revision as of 10:10, 7 September 2019
Line 35:		Line 35:

	====Songs about the fall of Terunael====		====Songs about the fall of Terunael====
			* [[Teurnael: Empire's Rise and Fall]] - Song about the fall of Terunael
	* [[Brocéliande Be Stronger Now‎]] - Powerful song about [[Brocéliande]], medium with difficult lead vocal.		* [[Brocéliande Be Stronger Now‎]] - Powerful song about [[Brocéliande]], medium with difficult lead vocal.
	* [[I Come and Stand at Every Door]] - sad song about the fall of Navarr cities, easy.		* [[I Come and Stand at Every Door]] - sad song about the fall of Navarr cities, easy.

Triggerbug: /* Commonly known songs */

2019-09-07T10:04:40Z

Commonly known songs

← Older revision		Revision as of 10:04, 7 September 2019
Line 7:		Line 7:

	===Commonly known songs===		===Commonly known songs===
			* [[Painted]] - often sung during the binding of Thorns ceremony
	* [[Ten Thousand Miles]] - song of love/travelling.		* [[Ten Thousand Miles]] - song of love/travelling.
	* [[Thorn Battle Cadence‎]] - A war cadence, easy		* [[Thorn Battle Cadence‎]] - A war cadence, easy

Triggerbug: /* Battle Music */

2019-09-07T09:54:36Z

Battle Music

← Older revision		Revision as of 09:54, 7 September 2019
Line 50:		Line 50:

	====Battle Music====		====Battle Music====
	* [[~~7000_Thorns~~]] - A song to remind the Navarr that we have had great victories in Liathaven and we will one day again.		* [[7000 Thorns]] - A song to remind the Navarr that we have had great victories in Liathaven and we will one day again.
	* [[Navarr Running Song]] - A war cadence, easy		* [[Navarr Running Song]] - A war cadence, easy
	* [[Thorn Battle Cadence‎]] - A war cadence, easy		* [[Thorn Battle Cadence‎]] - A war cadence, easy

Triggerbug: /* Battle Music */

2019-09-07T09:53:51Z

Battle Music

← Older revision		Revision as of 09:53, 7 September 2019
Line 50:		Line 50:

	====Battle Music====		====Battle Music====
			* [[7000_Thorns]] - A song to remind the Navarr that we have had great victories in Liathaven and we will one day again.
	* [[Navarr Running Song]] - A war cadence, easy		* [[Navarr Running Song]] - A war cadence, easy
	* [[Thorn Battle Cadence‎]] - A war cadence, easy		* [[Thorn Battle Cadence‎]] - A war cadence, easy

Rafferty at 12:21, 26 September 2017

2017-09-26T12:21:26Z

← Older revision		Revision as of 12:21, 26 September 2017
Line 3:		Line 3:
	===Style summary===		===Style summary===
	Navarr music reflects a dichotomy of wistful remembrance for their old culture and the practicalities of survival in the wild. Recent music has a practicality underlying it. Loud and high calling noises appear throughout the music in order to develop vocal cords for the relay of messages, cries of warning and the roar of a fear inducing charge from hiding. Drumming is widely used for similar reasons. The sounds, in contrast to the melodic music of their old culture, are often harsh which reflects the Navarr attitude towards nature - not one of harmony but of dominance. Much of the music of their lost cities has changed over time to include primal sounds, for example, fast fiddle and pipes or soft unison singing is joined by loud calling and percussion. Lyrics reflect the dichotomy of the memory of lost cities and the practicalities of life in the wild. References to nature are common but are dark and evocative rather than romantic. Work songs and cautionary tales are common as are the themes of travelling, fate, forests, and blood. Songs of the old culture; lost cities and sacrifice concentrate on remembrance rather than lamentation.		Navarr music reflects a dichotomy of wistful remembrance for their old culture and the practicalities of survival in the wild. Recent music has a practicality underlying it. Loud and high calling noises appear throughout the music in order to develop vocal cords for the relay of messages, cries of warning and the roar of a fear inducing charge from hiding. Drumming is widely used for similar reasons. The sounds, in contrast to the melodic music of their old culture, are often harsh which reflects the Navarr attitude towards nature - not one of harmony but of dominance. Much of the music of their lost cities has changed over time to include primal sounds, for example, fast fiddle and pipes or soft unison singing is joined by loud calling and percussion. Lyrics reflect the dichotomy of the memory of lost cities and the practicalities of life in the wild. References to nature are common but are dark and evocative rather than romantic. Work songs and cautionary tales are common as are the themes of travelling, fate, forests, and blood. Songs of the old culture; lost cities and sacrifice concentrate on remembrance rather than lamentation.
			__TOC__
	To achieve this sound, look at music that fuses Celtic folk styles with African and Amazonian sounds . Music can draw on Scottish, Irish, Greek, Galician, and Basque/French folk tunes as well Tolkienesque fantasy for lyrics, with added African-style percussion (such as [https://www.youtube.com/watch?v=A6oYeq7FfqI Ngoma], [https://www.youtube.com/watch?v=fN8MEam_HL8 Mutuashi] and [https://youtu.be/CDquKtgHYp4 Didadi]), [https://www.youtube.com/watch?v=zZMo9Humf-0 Amazonian] and [https://www.youtube.com/watch?v=CfzJJadT8gw Amazigh] music, to fuse with the sounds of the old culture.		To achieve this sound, look at music that fuses Celtic folk styles with African and Amazonian sounds . Music can draw on Scottish, Irish, Greek, Galician, and Basque/French folk tunes as well Tolkienesque fantasy for lyrics, with added African-style percussion (such as [https://www.youtube.com/watch?v=A6oYeq7FfqI Ngoma], [https://www.youtube.com/watch?v=fN8MEam_HL8 Mutuashi] and [https://youtu.be/CDquKtgHYp4 Didadi]), [https://www.youtube.com/watch?v=zZMo9Humf-0 Amazonian] and [https://www.youtube.com/watch?v=CfzJJadT8gw Amazigh] music, to fuse with the sounds of the old culture.

Rafferty at 12:21, 26 September 2017

2017-09-26T12:21:09Z

← Older revision		Revision as of 12:21, 26 September 2017
Line 1:		Line 1:
			{{CaptionedImage\|file=Song and Story.jpg\|align=left\|width=600}}
	==The Music of Navarr==		==The Music of Navarr==

	===Style summary===		===Style summary===
	Navarr music reflects a dichotomy of wistful remembrance for their old culture and the practicalities of survival in the wild. Recent music has a practicality underlying it. Loud and high calling noises appear throughout the music in order to develop vocal cords for the relay of messages, cries of warning and the roar of a fear inducing charge from hiding. Drumming is widely used for similar reasons. The sounds, in contrast to the melodic music of their old culture, are often harsh which reflects the Navarr attitude towards nature - not one of harmony but of dominance. Much of the music of their lost cities has changed over time to include primal sounds, for example, fast fiddle and pipes or soft unison singing is joined by loud calling and percussion. Lyrics reflect the dichotomy of the memory of lost cities and the practicalities of life in the wild. References to nature are common but are dark and evocative rather than romantic. Work songs and cautionary tales are common as are the themes of travelling, fate, forests, and blood. Songs of the old culture; lost cities and sacrifice concentrate on remembrance rather than lamentation.		Navarr music reflects a dichotomy of wistful remembrance for their old culture and the practicalities of survival in the wild. Recent music has a practicality underlying it. Loud and high calling noises appear throughout the music in order to develop vocal cords for the relay of messages, cries of warning and the roar of a fear inducing charge from hiding. Drumming is widely used for similar reasons. The sounds, in contrast to the melodic music of their old culture, are often harsh which reflects the Navarr attitude towards nature - not one of harmony but of dominance. Much of the music of their lost cities has changed over time to include primal sounds, for example, fast fiddle and pipes or soft unison singing is joined by loud calling and percussion. Lyrics reflect the dichotomy of the memory of lost cities and the practicalities of life in the wild. References to nature are common but are dark and evocative rather than romantic. Work songs and cautionary tales are common as are the themes of travelling, fate, forests, and blood. Songs of the old culture; lost cities and sacrifice concentrate on remembrance rather than lamentation.

Matt at 22:41, 3 February 2017

2017-02-03T22:41:59Z

← Older revision		Revision as of 22:41, 3 February 2017
Line 65:		Line 65:
	* [[The Oak (song)\|The Oak]] - Song about sensible use of trees, easy.		* [[The Oak (song)\|The Oak]] - Song about sensible use of trees, easy.
	* [[Through the dark places]] - A song about the Navarri involvement in forming the Empire, easy		* [[Through the dark places]] - A song about the Navarri involvement in forming the Empire, easy



	====More Songs====		====More Songs====
	* [[All the Pretty Ponies]] - Lullaby remembering extinct horses, very easy.		* [[All the Pretty Ponies]] - Lullaby remembering extinct horses, very easy.
	* [[Bold Navarr Men]] - A song about a failed sortie.
	* [[The Wind That Shakes The Barley]] - A song of mourning.		* [[The Wind That Shakes The Barley]] - A song of mourning.
	* [[Crow on the Cradle]] - A dark lullaby, easy		* [[Crow on the Cradle]] - A dark lullaby, easy


	====Instrumentation and tunes====		====Instrumentation and tunes====
Line 79:		Line 75:

	====Other performance traditions====		====Other performance traditions====

	* Storytelling is discussed in [[Navarr Culture and Customs]]		* Storytelling is discussed in [[Navarr Culture and Customs]]
	* Dance		* Dance

Dyoung at 19:15, 15 April 2016

2016-04-15T19:15:54Z

← Older revision		Revision as of 19:15, 15 April 2016
Line 12:		Line 12:

	{{CaptionedImage\|file=CM-140419-6337.jpg\|align=left\|width=400}}		{{CaptionedImage\|file=CM-140419-6337.jpg\|align=left\|width=400}}

	====A musical tradition====		====A musical tradition====
	Music has a practical use in Navarr society. Music plays a prominent part to create social harmony and to invoke the powers from beyond. It is used for work songs and for teaching.		Music has a practical use in Navarr society. Music plays a prominent part to create social harmony and to invoke the powers from beyond. It is used for work songs and for teaching.

	Social rituals are often performed to music, such as courtship rituals where ~~oine~~ lead, supported by their chorus, makes their case, and the other lead, supported by their own chorus, questions them.		Social rituals are often performed to music, such as courtship rituals where one lead, supported by their chorus, makes their case, and the other lead, supported by their own chorus, questions them.

	Blood Rituals often rely on percussion support to evoke the feel of the pumping heart and helps focus the arts of the Vates.		Blood Rituals often rely on percussion support to evoke the feel of the pumping heart and helps focus the arts of the Vates.
Line 28:		Line 29:

	===Further songs===		===Further songs===
			{{CaptionedImage\|file=Navarr Drummers.jpg\|align=right\|width=280}}
	====Songs from Terunael====		====Songs from Terunael====
	* [[By Chance It Was]] - A love song, easy.		* [[By Chance It Was]] - A love song, easy.